Jan Strandh about “The Pendulum”:
While working with The Pendulum we wanted to experience the anxiety that comes with the knowledge of the negative changes taking place in the world. Fear felt by common people far from the centre of power and therefore in no position to make major decisions and changes. This feeds the feeling of hopelessness of living in a non-working civilization where necessary political decisions are not possible to make. To seize power over our own fear and to get out of this relentless emotion we decided to create a personal legend in the form of an opera. In this opera – The Pendulum, one single individual is given the power to change the fate of the Earth. Impossible in real life, but totally viable within the aesthetic framework of opera as an art form. In our opera the human being chosen for the assignment is a normal person, not a hero character. His only weapon in the fight for the Earth’s survival is his ability to refrain from the thoughts, feelings and habits hitherto a natural part of him.
These dark subjects; climate angst and criticism of contemporary society is a natural part of both the long tradition of operatic storytelling as well as in the avant-garde rock movement of the 1970’s. Progressive hard rock has often includes music and lyrics where dramatic metaphorical processes has a clear political edge. To increase the dynamics of The Pendulum we make use of traditional instruments in several acoustic passages.
released May 29, 2015
Jan Strandh- lead guitar, acoustic guitar, vocals
Yngve Frank- guitar
Anders Ericson - guitar
Max Warnby - Bass
Fred Warnby - Drums
Peo Pettersson (Axia,Leviticus), Katarina Lilja (Therion)
Erik Forsberg, Öivin Tronstad (Jupiter Society), Tony Yoansson (Masquerade), Tony Niva (Niva, Lion´s Share), Petter Karlsson (Therion), Karl Nyhlin
PSA: if there was an album you heard a couple years ago and thought it was ok, listen to it again and you might love it.
That's what happened to me with this album. I cannot fathom why it didn't stick with me back then. Same thing happened with Decoherence's Unitarity for that matter. Matten
Another top-class release from Naturmacht. Dark and moody, catchy yet technical. Not quite avant-garde. Tough to describe, but check it out for sure if you like Agalloch, Anathema, Arcturus, Maudlin of the Well, Winds... Looking forward to their new album! Some guy